A stand alone psychological thriller.
** NOT A ROMANCE **
HAVE YOU SEEN THIS GIRL?
In the middle of a fierce snowstorm in Gun Creek, Nevada, seventeen-year-old Jennifer Thomas disappears without a trace.
The second girl in nine years.
Identical cases. Identical conditions. Only last time, the girl was found. Dead, stuffed in a well beside the creek that feeds the town's water supply.
The killer was never found.
As the small town mobilizes and searches for newly vanished Jennifer Thomas, one suspect comes to the fore. But did he do it? Or is there something else at play? Something nobody could have anticipated?
For Jennifer's friend Cassie Carlino, the worst is yet to come. As she pins MISSING posters to store windows and joins the search, she begins to suspect that Jennifer's disappearance might be much closer to her than she could have ever imagined.
Leo
I visit Jennifer every evening at the diner; she seems to like the attention, and I could use the distraction. I make sure to turn up just before her shift ends, and she gives me a ride home every night. The first night she came over we ended up talking for hours. My mouth hurt by the end, every sense on high alert. I was a gentleman. I didnāt lay a hand on her again, not after she started to talk. Sheās in trouble. A lot of trouble. I think it eased her mind to be able to confess to somebody who pretty much wrote the book on trouble in this town.
I mean, thereās not a thing I can do to help the girl. Not unless she tells me who got her into this mess in the first place. āThatās the problem with men,ā she said to me when I urged her to give me the name of the guy blackmailing her. āThey always jump straight to problem-solving. Men always want to fix everybody.ā
āYou donāt want to be fixed?ā Iād asked her.
āI can fix myself,ā sheād replied. āI just need somebody to understand.ā
I donāt understand. Her predicament is something Iāve never experienced. But I can listen. I listen to her talk as she drives me home in her shiny new car every night, and it makes me feel less of a fuck-up. I mean, she hasnāt killed anyone. But sheās planning to. And thatās why weāve found each other. I am a killer and she is ready to spill blood. She is a welcome distraction from my sins, and I am a makeshift altar for her to lay her own sins upon. Because when Iām with Jennifer, I donāt think about Cassie Carlino. I donāt think of Karen Brainard. And, most especially, I donāt think of Teresa King and the way she burned beside me in that car.
* * *
The night Jennifer Thomas disappears is like all the rest. I go to the diner. Order nachos and a Coke. Iām surprised Jennifer is working. Itās Thanksgiving, and the place is deserted. Even Amanda is nowhere to be seen.
āWorking on Thanksgiving?ā I ask Jennifer, as she slides my food in front of me. She shrugs, that glitter lipgloss catching the light as she moves. āItās just another day, isnāt it?ā
I nod.
āBesides,ā she says, āIt pisses my dad off. I asked for this shift.ā
At ten, I help her to turn out all the lights. I wait beside her as she locks the front doors of the diner, feeling vaguely worried about the fact that somebody left a sixteen year old cheerleader alone to lock up this late at night. I note the lack of video surveillance, the remote location, the fact that everyone is tucked safely inside their houses while Jennifer is alone with a convicted criminal in the dead of night.
Jennifer offers me a ride home, which I accept. Except, instead of driving me straight home like she has done for the past six nights in a row, Jennifer pulls her Range Rover off the road into an uncleared section of pine trees that tower over us. The track is narrow and winding and she doesnāt answer me when I ask her where sheās taking us.
She stops in a small clearing and cuts the lights. The engine is still running. Bits of snow fall outside, slow and bloated in their trajectory toward the ground. Jenniferās hands are small as they grip the steering wheel; her eyes lit up by the red illumination of the dashboard, making her look almost demonic.
āWhat are we doing here?ā I ask her again.
āI donāt want to go home,ā she says staring straight ahead.
āFair enough,ā I reply. I watch her as she struggles to find words. She squirms in her heated leather seat, her nails shiny and perfect, her shoulders sagging under the weight of something I cannot see.
āDo you think Iām pretty?ā she asks me in a tiny voice, and she sounds so mouse-like and weak that I almost laugh.
āDo I think youāre pretty?ā I echo, feeling a smirk cut its way across my face. āJennifer, youāre so pretty I could die just from looking at you.ā
She rolls her eyes. āYou think Iām stupid. Youāre just here because you feel sorry for me, Leo.ā
I shake my head. āI donāt think youāre stupid. And Iām not here because I feel sorry for you.ā
She swallows thickly; I can see the pulse beat nervously in her throat. āThen why are you here?ā
āWell, I guess Iām here right now because you just drove us off the road and into the woods.ā
āYou know what I mean.ā
Do, I, though? I sigh. āBecause youāre the only person in this town worth talking to who will even look at me.ā
She bites her lip and I have the sudden, piercing urge inside my skull to wrap my hands around her throat and drag her onto my lap. Thatās some messed up shit. Sheās sixteen. Six. TEEN. Iām repeating the number in my head over and over, willing my dick to settle down. I can feel the throb of wanting her in my cock, in the thunderous rush of blood that makes my heart hit my ribcage like the firing of a gun, bang, bang, bang. My need eclipses my rationality. So what if sheās sixteen? She drove into this fucking clearing and licked her lips and asked me if I thought she was pretty.
āWhy have you been back to the diner every single night, just as Iām about to get off shift?ā
āUmm,ā I try. āItās the only decent place in town?ā
She narrows her eyes at me and thereās a fire inside her pupils; it might be below freezing outside, but itās a billion degrees in here. Weāre already fogging up the windows with our breath, and I havenāt even laid a finger on her.
āLiar,ā she says. āI want the real reason.ā
Youāre about to get the real reason, sweetheart. I grip the armrest. I grip it so hard my fingernails ache.
āIām here because Iām a bad guy, Jennifer.ā
āAnd?ā
āBecause youāre so pretty I canāt think about anybody else. Because I want to do things to youā¦ that would probably frighten you. Things that might hurt you.ā
Her cheeks are flush; her breathing quickens. I havenāt even touched her, and sheās already excited. Or scared. Or both. I want to reach between her thighs and see if itās lust Iām reading on her face.
āWhat kinds of things?ā she asks.
I cover my face with my hands.
āWhat kinds of things?ā she repeats, a hand on my shoulder. I let my hands fall into my lap and fix my stare on this girl who should be home with her family, not out here in the dark in the woods and snow with a criminal. I watch in awe as she slides her seat back and reaches her hands up underneath her skirt, tugging a pair of panties down her legs and unhooking them from her heels. She canāt look at me as she hands me a pair of baby blue silk panties with a bow on the front. I grip the underwear in my fist so tight I could tear it to shreds with a single pull, but I donāt rip it. I find the damp spot of arousal in the center of the material and bring it up to my face. I close my eyes. I breathe Jennifer in.
I shouldnāt be here. Not with her. Not like this. I will get out of the car, I decide. I will walk home. I will not touch this girl.
But then, āI promise I wonāt tell anyone,ā she whispers.
Fuck.
I grab her. I drown her shock out with my mouth. I squeeze her slender neck with my prison-rough palms. I keep my promise and I hurt Jennifer Thomas until Iām sated.
Itās only after when Iām looking at the blank expression on her face, the odd tilt of her neck, the bruises blossoming on her spread thighs, that I understand what I have done.
By then, itās too late.
The night Jennifer Thomas disappears is like all the rest.
Apart from the way it ends.
I visit Jennifer every evening at the diner; she seems to like the attention, and I could use the distraction. I make sure to turn up just before her shift ends, and she gives me a ride home every night. The first night she came over we ended up talking for hours. My mouth hurt by the end, every sense on high alert. I was a gentleman. I didnāt lay a hand on her again, not after she started to talk. Sheās in trouble. A lot of trouble. I think it eased her mind to be able to confess to somebody who pretty much wrote the book on trouble in this town.
I mean, thereās not a thing I can do to help the girl. Not unless she tells me who got her into this mess in the first place. āThatās the problem with men,ā she said to me when I urged her to give me the name of the guy blackmailing her. āThey always jump straight to problem-solving. Men always want to fix everybody.ā
āYou donāt want to be fixed?ā Iād asked her.
āI can fix myself,ā sheād replied. āI just need somebody to understand.ā
I donāt understand. Her predicament is something Iāve never experienced. But I can listen. I listen to her talk as she drives me home in her shiny new car every night, and it makes me feel less of a fuck-up. I mean, she hasnāt killed anyone. But sheās planning to. And thatās why weāve found each other. I am a killer and she is ready to spill blood. She is a welcome distraction from my sins, and I am a makeshift altar for her to lay her own sins upon. Because when Iām with Jennifer, I donāt think about Cassie Carlino. I donāt think of Karen Brainard. And, most especially, I donāt think of Teresa King and the way she burned beside me in that car.
* * *
The night Jennifer Thomas disappears is like all the rest. I go to the diner. Order nachos and a Coke. Iām surprised Jennifer is working. Itās Thanksgiving, and the place is deserted. Even Amanda is nowhere to be seen.
āWorking on Thanksgiving?ā I ask Jennifer, as she slides my food in front of me. She shrugs, that glitter lipgloss catching the light as she moves. āItās just another day, isnāt it?ā
I nod.
āBesides,ā she says, āIt pisses my dad off. I asked for this shift.ā
At ten, I help her to turn out all the lights. I wait beside her as she locks the front doors of the diner, feeling vaguely worried about the fact that somebody left a sixteen year old cheerleader alone to lock up this late at night. I note the lack of video surveillance, the remote location, the fact that everyone is tucked safely inside their houses while Jennifer is alone with a convicted criminal in the dead of night.
Jennifer offers me a ride home, which I accept. Except, instead of driving me straight home like she has done for the past six nights in a row, Jennifer pulls her Range Rover off the road into an uncleared section of pine trees that tower over us. The track is narrow and winding and she doesnāt answer me when I ask her where sheās taking us.
She stops in a small clearing and cuts the lights. The engine is still running. Bits of snow fall outside, slow and bloated in their trajectory toward the ground. Jenniferās hands are small as they grip the steering wheel; her eyes lit up by the red illumination of the dashboard, making her look almost demonic.
āWhat are we doing here?ā I ask her again.
āI donāt want to go home,ā she says staring straight ahead.
āFair enough,ā I reply. I watch her as she struggles to find words. She squirms in her heated leather seat, her nails shiny and perfect, her shoulders sagging under the weight of something I cannot see.
āDo you think Iām pretty?ā she asks me in a tiny voice, and she sounds so mouse-like and weak that I almost laugh.
āDo I think youāre pretty?ā I echo, feeling a smirk cut its way across my face. āJennifer, youāre so pretty I could die just from looking at you.ā
She rolls her eyes. āYou think Iām stupid. Youāre just here because you feel sorry for me, Leo.ā
I shake my head. āI donāt think youāre stupid. And Iām not here because I feel sorry for you.ā
She swallows thickly; I can see the pulse beat nervously in her throat. āThen why are you here?ā
āWell, I guess Iām here right now because you just drove us off the road and into the woods.ā
āYou know what I mean.ā
Do, I, though? I sigh. āBecause youāre the only person in this town worth talking to who will even look at me.ā
She bites her lip and I have the sudden, piercing urge inside my skull to wrap my hands around her throat and drag her onto my lap. Thatās some messed up shit. Sheās sixteen. Six. TEEN. Iām repeating the number in my head over and over, willing my dick to settle down. I can feel the throb of wanting her in my cock, in the thunderous rush of blood that makes my heart hit my ribcage like the firing of a gun, bang, bang, bang. My need eclipses my rationality. So what if sheās sixteen? She drove into this fucking clearing and licked her lips and asked me if I thought she was pretty.
āWhy have you been back to the diner every single night, just as Iām about to get off shift?ā
āUmm,ā I try. āItās the only decent place in town?ā
She narrows her eyes at me and thereās a fire inside her pupils; it might be below freezing outside, but itās a billion degrees in here. Weāre already fogging up the windows with our breath, and I havenāt even laid a finger on her.
āLiar,ā she says. āI want the real reason.ā
Youāre about to get the real reason, sweetheart. I grip the armrest. I grip it so hard my fingernails ache.
āIām here because Iām a bad guy, Jennifer.ā
āAnd?ā
āBecause youāre so pretty I canāt think about anybody else. Because I want to do things to youā¦ that would probably frighten you. Things that might hurt you.ā
Her cheeks are flush; her breathing quickens. I havenāt even touched her, and sheās already excited. Or scared. Or both. I want to reach between her thighs and see if itās lust Iām reading on her face.
āWhat kinds of things?ā she asks.
I cover my face with my hands.
āWhat kinds of things?ā she repeats, a hand on my shoulder. I let my hands fall into my lap and fix my stare on this girl who should be home with her family, not out here in the dark in the woods and snow with a criminal. I watch in awe as she slides her seat back and reaches her hands up underneath her skirt, tugging a pair of panties down her legs and unhooking them from her heels. She canāt look at me as she hands me a pair of baby blue silk panties with a bow on the front. I grip the underwear in my fist so tight I could tear it to shreds with a single pull, but I donāt rip it. I find the damp spot of arousal in the center of the material and bring it up to my face. I close my eyes. I breathe Jennifer in.
I shouldnāt be here. Not with her. Not like this. I will get out of the car, I decide. I will walk home. I will not touch this girl.
But then, āI promise I wonāt tell anyone,ā she whispers.
Fuck.
I grab her. I drown her shock out with my mouth. I squeeze her slender neck with my prison-rough palms. I keep my promise and I hurt Jennifer Thomas until Iām sated.
Itās only after when Iām looking at the blank expression on her face, the odd tilt of her neck, the bruises blossoming on her spread thighs, that I understand what I have done.
By then, itās too late.
The night Jennifer Thomas disappears is like all the rest.
Apart from the way it ends.
Lili writes dark, delicious romance full of love, lust and revenge. Her USA Today Bestselling Gypsy Brothers series focuses on a morally bankrupt biker gang and the young woman who seeks her vengeance upon them. The Cartel series is a trilogy that explores the beginnings of the club, published through HarperCollins.
Lili quit corporate life to focus on writing and so far is loving every minute of it. Her other loves in life include her gorgeous husband and beautiful daughter, excellent coffee, Tarantino movies and spending hours on Instagram.
She loves to read almost as much as she loves to write.
Lili quit corporate life to focus on writing and so far is loving every minute of it. Her other loves in life include her gorgeous husband and beautiful daughter, excellent coffee, Tarantino movies and spending hours on Instagram.
She loves to read almost as much as she loves to write.
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